SEBASTIAN SMEE
u003cpu003eLucian Freud (1922-2011) was interested in the telling of truths. Always operating outside the main currents of 20th-century art, the esteemed portrait painter observed his subjects with the regimen and precision of a laboratory scientist. He recorded not only the blotches, bruises, and swellings of the living body, but also, beneath the flaws and folds of flesh, the microscopic details of what lies within: the sensation, the emotion, the intelligence, the bloom, and the inevitable, unstoppable decay.u003c/pu003eu003cpu003eDespite rejecting parallels between him and his renowned grandfather, the correlation between Lucian Freud's sitting process for portraiture and Sigmund Freud's psychotherapy sessions is a fascinating element to this figurative oeuvre. Despite the thickness of the impasto surfaces, Freud's portraits of subjects as varied as the Queen, Kate Moss, and an obese job center supervisor penetrate the physicality of the body with a direct and often disarming insight. The result is as much a psychological interrogation as it is an uneasy examination of the relationship between artist and model.u003c/pu003eu003cpu003eThis book brings together some of Freud's most outstanding and unapologetic portraits, to introduce an artist widely considered one of the finest masters of the human form.u003c/pu003eu003cpu003eu003c/pu003eu003cpu003eAbout the seriesu003c/pu003eu003cpu003eBorn back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Art series features: u003c/pu003eu003cpu003ea detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importanceu003c/pu003eu003cpu003ea concise biographyu003c/pu003eu003cpu003eapproximately 100 illustrations with explanatory captionsu003c/pu003e
